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Michael Jackson
31/03/2005 21:07
Day 22: Flight Attendent Says She Never Saw Mr. Jackson Serve Alcohol to A Minor
Created: Wednesday, 30 March 2005
Michael JacksonDay 22 in Michael Jackson’s trial most noteably consisted of testimony from the comedy club owner who has previously claimed to have been the initial conduit between the accuser and Mr. Jackson as well as a flight attendant who flew with Mr. Jackson on several occasions.
Jamie Masada, a comedy club owner, sparred with Thomas Mesereau Jr. throughout a long cross-examination, mostly trying to keep the tone light and frequently drawing laughter.
The tone changed when Masada, who owns the Laugh Factory club in Hollywood, was asked by Mr. Mesereau about comedian Louise Palanker, who testified last week.
"She wants to be a comic," he said. "We help them. Sometimes you have to give them bad news."
"You've told her she's not funny?" asked Mr. Mesereau.
"Let me tell you," Masada said. "I find you more funny than she is."
Masada said Palanker had been in touch with him since she testified and that she once referred to O.J. Simpson's acquittal in the 1994 killings of his ex-wife and her friend and Blake's recent acquittal in the 2003 slaying of his wife.
"She said that you have made this court like O.J.'s court or Robert Blake's court, and you lied and changed the words around," Masada said.
The boy became involved with the Laugh Factory when he, his brother and his sister attended a comedy camp there. The relationship with Masada and various comedians continued when the boy became ill with cancer.
Masada played down his role in bringing Mr. Jackson together with the boy and said only that he made a number of calls to people, including music producer Quincy Jones, to try to fulfill the ailing boy's wish to meet Mr. Jackson.
"I don't know if the message got to him or the fact that he called the next day was by the will of God," he said.
Masada said he had never met Mr. Jackson. "This is the first time I've seen him," he said, turning to Mr. Jackson and asking, "How are you?"
The defendant waved.
When Mr. Jackson left at the end of the day, he was asked about the levity.
"You can use a little comic relief sometimes," Mr. Jackson said.
The mother of Michael Jackson's accuser refused an offer of money after the broadcast of a documentary featuring the pop star and her son, a witness said on Tuesday, as prosecutors sought to counter claims that her greed was behind the sex-abuse charges.
Jamie Masada, owner of the Laugh Factory on Hollywood's Sunset Strip, also recalled a frantic telephone call from the mother after "Living with Michael Mr. Jackson" was aired, in which she told him she and her family were being held against their will at the pop star's Neverland Valley Ranch.
"She was kind of in a state of crying, like 'Oh my God, they're holding me here,"' Masada told the jury. "She said, they're holding me with my kids against my will. I need to get out of here."
Masada is a key figure in the molestation case against Mr. Jackson. He first met Mr. Jackson's accuser at a 1999 comedy camp at his club, and two became close when the boy was hospitalized for what doctors thought was terminal cancer.
The Iranian-born Masada said that after the boy asked him to set up a meeting with his "idol" Mr. Jackson, he tried to put the two in contact. The effort apparently paid off with a phone call by the singer inviting the family to Neverland.
But after the broadcast of the documentary in February 2003, which showed Mr. Jackson and the boy holding hands, schoolmates began taunting him, Masada said.
Masada introduced the mother to his attorney in a bid to stop further broadcasts of the documentary. During that time, Masada said, he told the mother that he knew someone who wanted to give her substantial amounts of money -- although the mysterious benefactor was not identified in court. It was later revealed to be Howie Mandel.
Over defense objections, Masada said the mother rejected the offer by saying: "All I need is friends, all I need is prayer. Prayer is all I need. I don't need money."
That testimony was sought by prosecutors to counter a central defense theory -- that the mother was a grifter who saw celebrities as easy marks and cooked up the sex-abuse accusations in a bid to wring money from Mr. Jackson.
The day ended with testimony by a charter jet flight attendant who served Mr. Jackson and members of the accuser's family on a trip from Miami to Santa Barbara.
Cynthia Ann Bell contradicted a prosecution claim that Mr. Jackson ordered wine to be served in Coke cans and then shared the wine with the accuser. Bell acknowledged that she served Mr. Jackson white wine in a Diet Coke can, but said the idea was hers. Mr. Jackson was a nervous flyer who could not stand turbulence and sometimes had a flight land because of it. She suggested the drinking was to relieve his anxiety and calm his nerves but did not want to be seen drinking in front of children.
(Excerpt from Court Transcript)
MR. MESEREAU: Okay. Now, how many times do you think you've flown with Michael Jackson?
MS. BELL: I believe three; no more than six.
MR. MESEREAU: And in none of the flights that you shared with Michael Jackson -- let me rephrase that. At no time on any flight you've been on with Michael Jackson have you ever seen him share wine with any child, correct?
MS. BELL: That is correct.
MR. MESEREAU: You've never seen Michael Jackson share a Diet Coke can with wine with any child, correct?
MS. BELL: That is correct.
MR. MESEREAU: You never saw the Arvizo children drinking from a Diet Coke can with alcohol at any time, right?
MS. BELL: That is correct.
MR. MESEREAU: You've never saw those children drinking from a Diet Coke can with wine, correct?
MS. BELL: That is correct.
(End of Excerpt)
She said she did not see Mr. Jackson share his drink with anyone and that she saw the accuser sitting next to Mr. Jackson — but that Mr. Jackson's children Prince and Paris were always either beside him or on his lap during the flight.
She also described the accuser on that flight as "loud, obnoxious, like 'Serve me my food, this isn't warm.' It was embarrassing to have him on board." She said that the accuser screamed at her that his food was not warm and that he was "altogether loud, obnoxious," in contrast to Mr. Jackson and his children, who behaved courteously.
(Excerpt from Court Transcript)
MR. MESEREAU: You never saw Michael Jackson give her alcohol?
MS. BELL: Absolutely not.
MR. MESEREAU: And you've never seen any inappropriate behavior between Michael Jackson and any child on a flight, right?
MS. BELL: That is correct.
MR. MESEREAU: And you have never seen Michael Jackson caress or touch any minor child in an intimate manner, right?
MS. BELL: That is correct.
MR. MESEREAU: And, now, you indicated that his children were always around him on the flight the Arvizos were on, right?
MS. BELL: That is correct.
MR. MESEREAU: You never observed Michael Jackson at any time when his children weren't around him, right?
MS. BELL: I'm sorry, what?
MR. MESEREAU: On the flight the Arvizos were on, you always saw Mr. Jackson's children around him, right?
MS. BELL: Absolutely.
MR. MESEREAU: And we're talking about three children, correct?
MS. BELL: That is correct.
MR. MESEREAU: And two nannies, correct?
MS. BELL: Three nannies.
MR. MESEREAU: Okay. Do you recall someone throwing food on the plane when the Arvizos were on board?
MR. AUCHINCLOSS: Objection. Relevance; beyond the scope.
THE COURT: Overruled. You may answer.
Ms. Bell: Yes.
MR. MESEREAU: You saw one of the Arvizos throwing food on the flight, correct?
MS. BELL: That is correct.
(End of Excerpt)
When Bell identified a photograph of the accuser, Mr. Mesereau asked her, "You told the grand jury he's a weird kid?" "Yes, I did," she said.
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Michael Jackson
31/03/2005 21:05
Day 21: Jury to Hear Past Allegations for which Mr.Jackson Was Never Charged, Most Refuse to Testify
Created: Monday, 28 March 2005
Michael JacksonOn Day 21 of the trial, Judge Melville ruled that the jury can hear past allegations against Michael Jackson, although, prior to this trial, he has never been charged with any crime.
In most criminal cases, evidence of past behavior is not admissible against a defendant. However, the California Legislature changed that in 1995, specifically in cases of child molestation and domestic violence. The District Attorney is attempting to show a pattern of abuse by Michael Jackson. The prosecution has been campaigning from the beginning of the trial to include prior allegations in order to support, what many say, is a non-existent case.
Mr. Mesereau offered this argument, challenging the court to consider the prosecution's motivation for insisting upon using the prior allegations to substantiate their weak case.
(Excerpt from Court Transcript)
Mr. Mesereau: "...what has the Court seen in this courtroom? Is the case strong on credibility and substance or is it weak on credibility and substance? If it's really powerful, the Court probably is less worried. If there are credibility problems with their case and their witnesses, the Court has great concern to worry because the potential for lessening the burden of proof on the prosecution in this case would be great. Now, the Court is dealing with some unique situations. First of all, you have a celebrity. A celebrity who has been subjected to all kinds of innuendo, scandalous reporting and rumor, and a celebrity who has attracted all kinds of claims for money, who has developed a lifestyle at Neverland which he has advertised to the world, which he believes and contends, and many believe, is a benefit to society. The prosecution has come in to try and turn all this on its head and suggest that Neverland is some magnet for molestation and criminal behavior. Well, that's going to be an issue for the jury. But certainly at this point the Court knows, based on the evidence alone, that Mr. Jackson has developed Neverland as a Disney-like type of world that he uses to help children from the inner city, children around the world, et cetera. There's a bigger problem than the uniqueness of the case, and none of the cases cited by Mr. Sneddon deal with celebrities or anyone remotely close to Mr. Jackson in terms of notoriety and attraction for greed and misuse of the legal process.
"The Court has seen three witnesses who the Court -- who the prosecution suggests are victims. And without going into a lot of the details, which I don't think the Court wants me to give a closing argument at this point, but there is no question all three of those witnesses have been riddled with problems in their testimony. All have agreed they lied repeatedly. All were caught lying on the witness stand. All were themselves repeatedly. Every witness was a problem. Now, if the Court agrees there are significant credibility problems with Gavin Arvizo, Star Arvizo, and Davellin Arvizo -- and I believe the Court does, because I don't see how anyone watching the cross-examination could disagree with that. If the Court thinks there are issues to worry about, I would ask the Court to add to that concern the following: Gavin alleges two acts of alleged molestation. There is no eyewitness to either one. And there is no DNA to support it. In fact, there's no forensic evidence at all to support it. Star, along with his credibility problems, alleges – it changes, the number. But he appears to allege two acts of molestation, separate from those of Gavin that he watched. There is no eyewitness. There is no DNA. There is no forensics to support it.
"So as the Court looks at the evidence so far, what do you really have? You have what, in effect, is a very problematic case, and I submit the prosecutors know that. It's extremely problematic. It's filled with credibility issues. And those credibility issues I submit to the Court at this point are compounded by the evidence they've tried to introduce so far about conspiracy."
(End of Excerpt)
A Fan Outside the CourthouseThis ruling involved Section 1108 of the California Criminal Code which allows prosecutors to introduce evidence similar past sexual allegations in order to show that the defendant had a "pattern" of similar previous behavior. The provision was added to California law in 1995 and promoted by District Attorney, Tom Sneddon, when a criminal investigation collapsed after Mr. Jackson reached a civil settlement with the boy in the 1993-94 case. However, judges may draw sharp definitions of what constitutes a similar case.
"The decision I have reached is I will now admit the testimony with regard to the sexual offenses and the alleged pattern of grooming," the judge said, making his crucial and long-awaited ruling on the issue.
Judges can also exclude testimony if would be unduly prejudicial. Mr. Mesereau says nearly all of the past cases fit that bill. The new material "could jeopardize the presumption of [Mr. Jackson's] innocence," he said. "The evidence they are trying to introduce [is] of an emotional and high inflammatory nature." Despite the pitfalls, appellate courts have only overturned one case.
The District Attorney did admit that three of the instances involve young men who have absolutely denied Mr. Jackson ever molested them. The incidents allegedly occurred 12 to 15 years ago, and the prosecutor acknowledged only one of the five boys has even agreed to testify at Mr. Jackson's trial. Some of the other testimony would come from the mothers of the two boys who pursued and eventually won settlements.
Defense attorney Thomas Mesereau Jr. asked Judge Rodney Melville to exclude the allegations, saying they were based on third parties, many of whom were after Mr. Jackson's money. The reference was to former Jackson employees who sued him in the past and lost, and were then ordered to pay Mr. Jackson $1 million in damages.
Additionally, Mr. Mesereau pointed out that Macaulay Culkin, one of the five called by the District Attorney and a frequent visitor to Mr. Jackson's Neverland Ranch, "has repeatedly said he was never molested."
The media-hungry uncle of the alleged victim in the 1993 case said Sunday his now 25-year-old nephew would not testify at Mr. Jackson's trial. Reportedly, he wants nothing to do with the case.
Before Melville's ruling, Mr. Mesereau said that "willy-nilly third party witnesses" are "99 percent" of the evidence Sneddon wants to bring in. "The potential for prejudice there is overwhelming." Mr. Jackson’s lawyer called some of the witnesses "lying [former] plaintiffs” and he suggested that tainted bystanders were no substitutes for actual victims. "How can you allow a parade of third-party characters to come in without any victims?" he said. Mr. Mesereau told the judge he would put on a "mini-trial" on each allegation the jury is allowed to hear. "You can't stop the defense from putting on a full-blown defense and I mean just that," the defense attorney warned.
Mr. Jackson was not present during the arguments but arrived later to cheers from fans.
Culkin's publicist, Michelle Bega, said Monday the "Home Alone" star "is presently not involved with the proceedings and we do not expect that to change."
After the judge's ruling, comedian George Lopez took the stand and told about helping Mr. Jackson's current accuser as the boy battled cancer. Lopez said he came to believe the boy's father was more interested in money than helping his son. He testified the father accused the comedian of stealing $300 from the boy's wallet.
Lopez said he finally cut off the family because of the father's frequent and aggressive requests for help. When the father asked what he was supposed to tell his son, Lopez testified he responded: "Tell him his father's an extortionist."
Michael JacksonThe defense contends Lopez, star of the ABC sitcom "George Lopez," is among celebrities who were targeted by the accuser's family in schemes to make money. But prosecutors contend any such schemes were the work of the boy's father, who is now divorced from the mother.
Sneddon said one boy from the five earlier cases will come forward and his mother also will testify. That case involved a boy who was allegedly involved in a 1990 incident and received a $2.4 million settlement from Mr. Jackson in 1994. The district attorney also promised testimony from the mother of a boy who reached a multimillion-dollar settlement with Mr. Jackson in 1993. It was unclear exactly what Mr. Jackson was accused of doing with each of the five boys.
The judge excluded two other boys named by the prosecution but did not say why.
In a hearing after jurors left the courtroom, Sneddon said he planned to begin presenting evidence of the past allegations in about two weeks. The judge said he would give jurors special legal instructions on the issue of past acts before that testimony is offered.
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Michael Jackson
31/03/2005 21:04
LISTEN & READ THE INTERVIEW: Michael Jackson Talks to Jesse Jackson
Created: Sunday, 27 March 2005
On Easter Sunday, the Reverend Jesse L. Jackson, Sr., spoke to Michael Jackson on "Keep Hope Alive(TM) with Reverend Jesse Jackson", the nationally syndicated radio talk show originating from Chicago's WGRB-AM 1390.
CLICK HERE TO LISTEN TO THE INTERVIEW
Sunday, March 27, 2005 - Rev. Jesse Jackson’s Radio Show Keep Hope Alive
http://www.keephopealiveradio.com
Rev. Jesse Jackson: Good morning. God Bless you. Happy Easter. Welcome to Keep Hope Alive with Reverend Jesse Jackson radio program. This is Reverend Jesse Jackson and this morning I wish you a happy and glorious Easter.
Brothers and sisters, I encourage those of you who are listening today, to tell your friends about us and to listen to us on live on the web on Sunday mornings from 7-8am Central Time, 8-9am Eastern Time (sic) on your website, on our website keephopealiveradio.com. And please email us with your thoughts and comments. We want to hear from you. So drop us an email throughout the week at the same address keephopealiveradio.com.
This Easter week, a week of challenges, agonizing challenges, the outer limits of our faith and resurrection. We are on a journey of agony and faith with regard to Terry Schiavo. We have been riveted to TV and radio reports all of this week, these last few weeks a matter of fact. Terry’s case is an extraordinary challenge to our patience, our faith, our ethics and our morality. A brain impaired woman, said to be brain dead. She’s being starved and dehydrated to death. She must not be trophied, inmonumented in an illified moment. Her crisis challenges us to deal with long-term health care for all Americans. In her case, they didn’t pull the plug to assist her in breathing, they pulled the tube, cut off the water and will not even allow ice for her parched lips. For this level of cruelty there is no moral justification.
But what can I say today about our special guest this morning. This legendary singer, dancer, songwriter, extraordinary, has transfixed the role for more than 40 years. He became an instant star at age eleven. Is the front man in Motown’s phenomenally successful family act, the Jackson Five. One of the best selling groups of all time. Hickering off their Motown tenure in 1969 with the unprecedented feat of four consecutive number one singles. Who can forget “I Want You Back”, “ABC”, “Mama’s Pearl”, or “I’ll Be There”?
Where were you when you were having barely turned thirteen? He began his solo career. Released a successful string of solo singles including “Got To Be There”, “Rockin’ Robin” and “Ben”. We’ve all marveled as he continued to scale at unprecedented heights with the success of three of the biggest selling albums of all time: ‘Off The Wall’, ‘Thriller’ and ‘Bad’. Indeed, ‘Thriller’ is the biggest selling album of all time. Having sold 51 million copies world-wide, beyond the numbers how important and paradigm shifting has Jackson recording and shattering record, how… How phenomenal has it really been? What a phenomenal feat.
As producer Quincy Jones told Time magazine. “Black music had to play second fiddle for a long time.” In the spirit is the whole motor of pop. He has connected with every soul in the world. He has been proclaimed the biggest selling artist of all time. The singer most awarded entertainer the world has ever known. The most popular artist in the history of show business. And not so modestly, the world’s most famous man. And of course, the King of Pop.
And still our world goes on, on about this genius, about this icon for ages. Brothers and sisters, members of the Keep Hope Alive family, today we have the rare opportunity to take a journey from Gary to greatness. Hear the King of Pop share the story of his life as only he can tell it. It’s with great pride and pleasure that I bring to you this morning Michael Jackson from California.
Good morning Michael.
Michael Jackson: Good morning Jesse. How are you?
Rev. Jackson: Good. Good. Good. Good. It’s good to hear you there. Many listening ears around America and the world for our conversation today.
Michael: Yes.
Rev. Jackson: Good. Good. Good. Good.
Michael: Good.
Rev. Jackson: We’ll my friends lets get this conversation started. We have a shared conversation with our nation. Stay right there. You don’t want to miss this conversation with the King of Pop, Michael Jackson. We’ll be right back with Keep Hope Alive with the Reverend Jesse Jackson.
[COMMERCIAL BREAK]
Rev. Jackson: Welcome to Keep It Alive with Reverend Jesse Jackson. Our regular Sunday morning talk show. Today we have a phenomenal guest in Michael Jackson. Michael has taken this phenomenal journey from ground zero to outer space. Good morning Michael.
Michael: Good morning Jesse. How are you?
Rev. Jackson: Good. Good. Good. Remember when we met on 47th Street way, way many years ago. Your father brought you and the guys by the office in your station wagon and U-Haul. You were performing at the Regal Theatre. Do you remember that?
Michael: Yes, I do remember. It was a long time ago. I was just very little.
Rev. Jackson: What do you remember about that period?
Michael: Oh, I remember what we were wearing kinda like dashikis (sic) and bell-bottoms pants and I just remember the love from the public was very great and accepting of what we had to offer. And the support from you know the people from the times was just beautiful, the black people was fantastic. You were always very kind to us as well.
Rev. Jackson: Good. Good. Good. Did your mom make those outfits?
Michael: Yes she did. She always made all of our clothes. My mother would sew and stitch everything. Everything we wore before we really making it at Motown.
Rev. Jackson: I remember so well that uh Julius Griffin and up your dad came over and asked if you guys could be a warm-up act at Expo, and we had to make room for you in our schedule and you guys stole the show.
Michael (laughs): I remember those shows. You had a big time Afro at that time.
Rev. Jackson: Don’t remind people of that Michael. You did so very well.
(Michael laughs)
Rev. Jackson: During that time you were being whipped up by Motown. Who discovered you for Motown?
Michael: Well in complete truth, it was Gladys Knight and a guy named Bobby Taylor. And they were on the bill of some of the shows who were doing that you would see like…you would do a show and there would be like twenty or thirty acts. It was pretty much like Bonneville. You would do just a certain number of songs and you would go off. They were always on these shows. And they would watch us and they were so impressed with what we were doing. And Barry Gordy wasn’t interested at first. But eventually he loved us and wanted to sign us. And after being signed, and uh, since Diana Ross was their biggest star at the time, that he used her as the vehicle to…you know…introduce us to the public. The first album was called “Diana Ross Presents the Jackson Five”.
Rev. Jackson: At that time, who was your favorite artist?
Michael: Oh God, I loved Diana Ross and uh, I loved James Brown, I still do. I love all these artists…still to this day. I love Jackie Wilson. The real show stoppers. You know the real entertainers.
Rev. Jackson: did you did…
Michael (interrupts): Sammy Davis, Jr, I loved him as well (laughs).
Rev. Jackson: Did you get any of your moves from Jackie Wilson?
Michael: Oh yes of course! All these artists inspired me very much. I couldn’t help but be inspired by these great entertainers.
Rev. Jackson: A little later, remember we were out in Los Angeles and at that time Suzanne dePasse was your the godmother for the group and she had you at Fred Seigel’s shopping for some, shopping for some jeans.
Michael: Yes! Remember Suzanne dePasse, she was so wonderful, you know. She was pretty much our manager with my father at the time and with Tony Jones. They were all wonder people. I thank them from the bottom of my heart, you know.
Rev. Jackson: She was such a wonderful person, and she remains, she’s so top-notch in that what she does.
Michael: Yes, she is. She was very helpful and instrumental in the early days of our careers that she remains a friend. And I do, I do…I miss her. I haven’t seen her in awhile. She remains a wonderful person… so does Berry Gordy.
Rev. Jackson: Michael in this whole developmental period. I call it ground zero like Gary and the Regal Theatre and the Expo and early meeting of Barry Gordy and Motown, would you reflect, what was out of this period that you remember the most?
Michael: Which period was this now?
Jessie: Kinda like this period of Gary, to the Regal Theatre, to Expo to meeting Gladys Knight, to going to Motown. From what about this period that stands out the most in your mind?
Michael: This period for me which stands out is because I was so young around that time. I was like eight, eight or nine. I just remember the environment, what it was like, all the music I was hearing. My father played guitar. My uncle played guitar. Everyday they would come over, and you know they would play great music. And we would start to perform to the music. I remember seeing marching bands go down the street. I would remember the rhythm of the band and the beats of the drum. And every sound around me seem to record in my head and start making rhythms and dancing. I use to dance to the rhythm of the washing machine. My mother went to the corner store to wash the clothes. I would dance to the rhythm and people would crowd around. I remember those kind of stories. They would crowd around pretty much and watch me. Those kind of little things. They are reflections really.
Rev. Jackson: Well, you remember you said that Jackie Wilson, and James Brown and Sammy Davis were heroes. Did you ever see them perform?
Michael: Yes, of course I did and they were friends of mine. All these great artists. That’s why I was so lucky. I was just such a little kid, looking up to these people. We were real catatonic, awestruck with their talent. Not only did I get to see it, but I got to see it close up right on the side curtain, on the side of the wings. I got to know these great artists. These were the best entertainers in the world. They were show stoppers. And I would have to go onstage sometime after them, you know. It was amazing!
Rev. Jackson: But the thing is that at first I remember Tito and Jermaine you were like so little, so small. You was part of the Jackson Five. At what point did you know that you realize you were a show stopper?
Michael: You know when you have a special ability. You don’t realize it because you think everybody else has the same gift that you have. So you don’t realize it. When I used to sing at such a young age, people were so inspired by my singing and they loved it. I didn’t realize why they were clapping or crying or start to scream. I really truly didn’t Jesse. And it just uhm, just later on in life, people would come up to me and say you know do you realize you have a special gift or you have a special talent. I just remember from my mother who is very religious always telling us to always thank God, to thank Jehovah God for your talent, your ability. You know it’s not from, it’s not our doing, and it’s from above. So we were always humbled by people would come with accolades or you know, adulations or whatever it is. You know, it was a beautiful thing.
Rev. Jackson: When did you stop going to school formerly?
Michael: Oh I was very young. I think it was…oh boy, hmmm. I think it was the fifth, fifth, fourth or fifth I think. Then I had tutoring the rest of my life. Because we did so many tours and concerts and TV shows and things, all the albums and all the recordings because we would have three hours of schooling, then we would do the concerts, then we travel to another state or another country. Then by that time we would do some concerts again and then it would be time to record the next J5 album, then after the J5 album, it was time for another Michael Jackson album. So in my youth, as a little kid, I was always busy. I remember across the street from Motown recording studio, there was a park. I used to hear the roar of the kids and the throwing of the football and the basketball. I remember going to the studio everyday, and I was just feeling kinda sad, because I wanted to go to that park. But I knew I had a different job to do, you know so going in and make the records. All day till late at night, then you would go to sleep, then you were up for the next day, just the same regimentation.
Rev. Jackson: Does that insintu-… you missed a certain body of childhood experience. How did you compensate for this loss of ordinary childhood experience?
Michael: I-I – It’s true. I didn’t have a childhood. But, when you don’t have a childhood like people like myself and other child stars, you try to compensate for the loss for later on you try to catch up. That’s why you see, like you may see a theme park or amusement rides, that type of environment at my home. But what I like to do is help other children who are less fortunate than I am. You know kids who are terminally ill, kids who have diseases, poor children from the inner cities, you know the ghettos, to let them see the mountains, or to let see or go on the rides, or to watch a movie or to have some ice cream or something.
Rev. Jackson: Of course one of the difference about you Michael, you did have a family. How many of, how many is in the family?
Michael: The immediate Jackson family?
Rev. Jackson: Yeah.
Michael: There were originally ten of us. There’s nine. There’s nine. And my mother Katherine and Joseph Jackson are still alive. We all were born in Gary, Indiana.
Rev. Jackson: Well in that setting, did Tito and Jermaine beat up on you and give you some normal childhood experiences as a younger brother?
Michael: We would be on tour. We would go to Miami. We would, you know, be able to use the beaches. We were so popular at that time. Wherever the Jackson Five would go, there would be a mob scenes. We couldn’t go in the shopping center or anywhere because there were kids screaming. We had hit records back to back to back. We were playing these arenas all across America. And so it was difficult. We would did get to have a chance to have some fun in the hotel. We would have pillow fight in the hotel or if we wanted to swim after hours, we swim in the pool downstairs. You know that type of thing
Rev. Jackson: Who would win the pillow fights?
Michael: Pretty much Tito or Jackie. [laughs] They were the oldest.
Jessie: You know you kind of grown from this kind of phenomenal rise to the artist that has sold the most records in history. You look back from that period that we call Ground Zero to the period of your maturing in writing. Who was your greatest influence in learning to write? You write so well.
Michael: My greatest influence learning to write music. I think this is when I was lucky. In my opinion, I came into the Factory, the greatest song writers at that time in the sixties. Holland, Dozier, Holland of Motown. These two guys were phenomenal. You know, Lamont Dozier, Eddie Holland. These guys were amazing. They wrote all the great Supreme hits and the Four Top hits. They were just amazing. And I got to learn and work with these guys. And I love of course some of the Beatles stuff. I love the Beatles music actually. I love a lot of the show tune writers. Richard Rogers, and Oscar Hammerstein and Leonard Lowe and Harold Arland, Johnny Mercer and these kind of show tune. I love melody. I love the great Irish pub songs. I love English melody. The rhythms of Africans. Which is the roots of rhythm . That’s my favorite music. That’s my favorite music of the world because all music is defined from that. Africa is music. It is the origin. It is the dawn of existence. You can’t avoid that. It is in everything that is about myself.
Rev. Jackson: So much as you went through these stages and you began to write, sing and dance, did you ever have like a dancing coach?
Michael: You know what, I never studied dancing before. It always became natural for me. Whenever I was little, any music would start, they couldn’t sit me down. They couldn’t tie me down actually. Even to this day, if anyone played a beat, I’ll start kicking in and making counter rhythms to the beat that I’m hearing. It’s just a natural instinct. I never studied. And Fred Astaire who was a good friend of mine, and Gene Kelly, they used to always marvel at my ability for dance. When I was a little kid, Fred Astaire used to always tell me how that he knew in his heart that I would be a special star. I used to just look at him thinking what are you talking about? [laughs] But uh, you could see, you know
Rev. Jackson: Michael, where did the moonwalk come from? [laughs]
Michael: The moonwalk is a dance. I would love to take credit for but I can’t because I have to be completely honest here. These black children in the ghettos are, they have the most phenomenal rhythm of anybody on the Earth. I’m not joking. I learned, I get a lot of ideas from watching these black children. They have perfect rhythm. From just riding through Harlem, I remember in the early, you know, late 70’s early 80’s, I would see these kids dancing on the street and I would see these kids doing these, uh sliding backwards kinda like an illusion dancing I call it. I took a mental picture of it. A mental movie of it. I went into my room upstairs in Encino, and I would just start doing the dance, and create and perfect it. But, it definitely started within the black culture. No doubt. That’s where it comes from.
Rev. Jackson: Well then, connected to that piece when you were dancing, did you ever watch Don Cornelius Soul Train?
Michael: Oh I love that show. Are you kidding? Of course I did. I would wait for the Soul Train line. They would have a line that they would make, like a wall of people and the dancer would come through the middle, dancing to the song. It would give them a chance to showcase their talent and what they could do with their body creatively. I used to watch that catatonically, just watching that! I was mesmerized by uh, and studied the rhythms and the dancing of course. Of course I watched it. [laughs]
(19:17) Rev. Jackson: Michael, you know as you look back, you kinda make this kind of transition from ground zero in Gary and you begin to ascend, and you became, in many ways, a man in a child’s body and I mean, you never gained any weight! How did you manage?
Michael: (laughs) Well, I’ve never been a great eater, I’ve, uh ~~ to tell a little secret, I hate to tell it, uh, I’ve never been ahhh, great eater or a great admirer food, even though I appreciate food and the gift of food and how God has given us food to eat, but my mother has always had a hard time with me, all my life, uh, forcing me to eat ~~ Elizabeth Taylor used to feed me ~~ hand feed me at times, because I-I-I I do have a problem with eating, but, I – I do my very best, and I am eating, yes I am! So I don’t - Please, uh, I don’t want anyone to think I’m starving, I am not …
Rev. Jackson: But you’ve…
Michael: My health is perfect actually.
Rev. Jackson: You’ve maintained this weight man, that’s what people is most jealous of and so excited about…
Michael: No no, my health is perfect actually, I’m a great believer in holistic natural foods and eating and (sp) herbs and things, you know, God’s medicine, instead of Western chemicals, not those things, you know.
Rev. Jackson: You know Michael, as you look back on this phenomenal career, you—you remember at least the 5th grade in Gary and how you guys became a- a big hit so-so quickly, what do you remember, what is to you, the high point, you know ~~ I’ve asked people all week long the high point for them - it may have been Thriller, it may have been Beat It, it may have been some performance, what for you represents the kind of ah, high point?
Michael: Well, one of the great high points, ahem, I would have to say….. because I remember before ’82, in the early ‘80s ~~ I had done an album called ‘Off The Wall’ – it was an important point for me because I had just the movie ‘The Wiz’ and I wanted to express myself as a writer, as an ah, artist, you know to write my own music, do the music, pretty much put it together. And Quincy Jones, who I’ve loved – I was fortunate to work with him and I love this man, he is very gifted. But I was writing these songs at the time, ‘Don’t Stop Til You Get Enough, you know, ‘Shake Your Body to The Ground’, you know ‘Billie Jean’, and ‘Beat It’, you know, all these songs were written at this time. Ahem, so I pretty much was setting mental goals of what I want to do as an artist and I uh, it was a high point for me, during the uh, the winning of the Grammys for the ‘Off The Wall’ album, but I wasn’t happy. Because I wanted to do much more than that... I wasn’t happy with, uh ahem, the way it was accepted, even though it was a HUGH success, it was the biggest selling album for a solo artist at that time ~~ it was over 10 million, and ahem, ahem, for a Black solo artist. And I said for the next album, I refuse for them to ignore, and that’s when I set my heart (clears throat), on-on writing the Thriller album and I really said I ----
Rev. Jackson: What-what-what gave rise to The Thriller?
Michael: Pardon?
Rev. Jackson: What gave rise to The Thriller?
Michael: What gave rise to ‘Thriller’ was that the time, was pretty much disappointed and hurt – I lived in an area called Encino, and I used to see signs of graffiti saying “Disco Sucks” and “Disco is this” and “Disco is that” and disco was just a happy medium of making people dance at the time, but it was so popular, that the uhem, uhem, society was turning against it. I said, I’m just going to do a great album, because I love, uhem, the album Tchaikovsky did, The Nutcracker Suite, it’s an album where every song is like a great song. I said I wanted to do an album where every song is like a hit record, and that’s what pretty much the hit, ‘Thriller’ spawn from that… And I did that album and it made, er, all time history, the Guinness Book of World Records proclaimed that it was the largest selling album of all time and it’s still to this day and I’m, er, I would say that it was a pinnacle, that was a – I’d reached a certain zenith point, I would think, but I still wasn’t er, pleased after that – I was always wanting to do more, wanting to do more. And
Rev. Jackson: And somewhat you---
Michael: And the Victory tour came along.
Rev. Jackson: And somewhat you reached out, before we get to the Victory tour, and we had this phenomenal crisis of people dying and you used your celebrity to pull artists together to do ‘We Are The World’.
Michael: Yes.
Rev. Jackson: What was that like?
Michael: ‘We Are The World’ was a great project, because er, ah, Quincy Jones called me on the phone and he asked me to write a song, for ahem, for ah, ahem, the devastation that was going on in Africa ~~ and Ethopia was hit very badly, and he knew my love for the people over there, because I would go to Africa all the time. I-I loved the culture, I love the people, I love what they represent, and er, so I put this song together, he said let Lionel Richie help you (clears throat), so Lionel came over ~~ we started, you know, putting ideas together, and ahem, we talked most of the time because we pretty much caught up with old times because I’ve been knowing Lionel Richie for many, many years, and ahem, so Lionel, er, and I put something together, but I wasn’t happy with it completely, so after that, I just went into the studio myself and pretty much completed it and finished it and packaged it and did all the music, put everything together and turned it in. Quincy was very impressed with it and he said this is the song, we’re going to go with it and we put the song out and it became the biggest selling song single in history and it raised a lot of money. It was called ‘USA For Africa’ and we heightened, it heightened, er public awareness on the subject. It was relief for Africa, it was a beautiful thing. We gave a certain percentage to America and the majority share went to Africa. It was a great, great thing.
Rev. Jackson: Reverend Jessie Jackson, Keep Hope Alive, our very special guest for our edition today, with Michael Jackson. So many people are listening all around the nation, all around the world ~~ just a kinda family talk with Michael, I’ve known him since he was like seven years old, but the entire family ~~ at some point in time, his father, driving a ahem, station wagon with a U-haul brought the guys by our office and asked if they would be a warm up act for Expo and of course, they were a warm up act, in fact, they set it on fire and the Expo was never quite the same again. Matter of fact Michael, when we did the film ‘Save the Children’ that was a big hit too.
Michael: Yes it was, yes it was…. I remember those times… it was a little cloudy, but I do remember Jesse and I remember how wonderful you were to us and uh, I remember the love from the audience and I could hear the screaming of the crowd. and I could see all of the Afros and the dashikis and er, it was just a wonderful time, it was a wonderful cause…
Rev. Jackson: On that show, it was Marvin Gaye, and Roberta Flack, and
Michael: Ah!!!
Rev. Jackson: … and the O’Jays
Michael: Wow!!!
Rev. Jackson: … and the Staples Singers and er…
Michael: Wow.
Rev. Jackson: …Cannonball Adderley, it was a huge deal.
Michael: That’s amazing ~~ an amazing list of people, that’s some of the greatest talent ever – that’s amazing.
Rev. Jackson: We going to re-release the ‘Save the Children’ sometime soon and people who missed that period will really enjoy watching it. Michael, you know, when we think about the-the kind of rise from Gary, Indiana, you were but a child and you went through your teenaged years being tutored along, but then I remember another phase, I-I think is a another phase, when the Victory Tour occurred. At that time, you were a full grown ~~ all of your brothers and sisters were full grown and we met in Kansas City, remember? With your family?
Michael: Yes.
Rev. Jackson: … We all had prayer together, ahem…
Michael: Yes we did.
Rev. Jackson: The Victory Tour. Describe that season.
Michael: The Victory Tour was one of the great pinnacles of our-our, my success because Thriller had won more Grammys than any other album in the history of – of music, and it created so much phenomenon and such adulation and notoriety at the universal level, and it was very, very hard to-to go anyway, do anything without press and helicopters and people sleeping in your bushes and hiding in your trees, and it was just a phenomenal pinnacle, it really was and after all of that, I announced that I was going to tour. And to tour and perform those songs live, in front of an audience so the world was going just really, really wild at that time. And we did this tour that broke records all over America and we played stadiums, for instance, the-the setting record at Dodgers Stadium, before we played it, it was one show and a half by Elton John. We did 8 shows there – sold out, and they wanted another 2 – so we did 8 sold out shows there. (Clears throat) This happened all over America ~~ the first city was Kansas City and that’s where we met with you Jessie and I remember you coming to the suite and you gave prayer and it was a beautiful thing and ah, it was an amazing time, it really was. My dreams had come true.
Rev. Jackson: Good. Good. But you know Michael, in this life, they say some rain must fall and you’ve had these seasons of just ahem, tailwinds like pushing you forward. But life is of such that’s not a straight line, ah, some argue you either in a storm, or you are just leaving a storm, and going to a storm and it’s not difficult to handle the sunshine of bright skies, tailwinds days, but then these headwinds come that kind of uh, test what you really are made of, the kind of test your metal, your true grit. And so you’ve had these high points. What do you consider to be the low point?
Michael: Probably the low point, the lowest point, emotionally and experience, is probably what I’m going through (clears throat).
Rev. Jackson: In the sense – what, what about it has kind of stung you?
Michael: What about it … has what?
Rev. Jackson: Has stung you, so to speak.
Michael: Has, …. Use the word again…
Rev. Jackson: STUNG. You said it’s kind of hurt you, you said the low point.
Michael: Yeah, just the pain of what I’m going through, where I’m being accused of something, where I know in my heart and in my experiences in life I’m totally innocent, and it’s very painful. But this has been kind of, ah, a pattern among Black luminaries in this country.
Rev. Jackson: And so since, you-you have been going through this and you feel the pain, you think it’s a kind of pattern? How are you handling it spiritually? Because you go from being held so high and now your very character, your very integrity is under attack. How your handling it?
Michael: I’m handling it by using other people in the past who have gone through this sort of thing. Mandela’s story is giving me a lot of strength, what he’s gone through and the Jack Johnson story was on PBS ~~ it’s on DVD now. It’s called ‘Unforgivable Blackness’. It’s an amazing story about this man from 1910 who was the heavyweight champion of the world and bust into a society that didn’t want to accept his position and his lifestyle, and what they put him through, and how they changed laws to imprison the man. They put him away behind bars just to get him some kind of way. And-and Muhammad Ali’s story. All these stories. The Jesse Owens story. All these stories that I can go back in history and read about gives me strength Jessie. Your story gives me strength, what you went through. Because I didn’t, I came in at the tail end of the Civil Rights Movement ~~ I’m a, ah – I-I didn’t get the really, I’m a 70’s child, really, but I got in on the tail end of the Civil Rights Movement and I got to see it, you know?
Rev. Jackson: And so, you-you-you-you had these hits, ahem, and people that you have embraced are now facing you in court on a daily basis. How does your spirit handle that?
Michael: Ah, I gained strength from God. I believe in Jehovah God very much and ah, and I gain strength from the fact that I know I’m innocent ~~ none of these stories are true ~~ they are totally fabricated, and it’s very sad, it’s very, very painful. And I pray a lot and er, that’s how I deal with it and I’m a strong person, I’m a warrior. And I know what’s inside of me. I’m a fighter. But it’s very painful. At the end of the day, I’m human, you know, I’m still a human being. So it does hurt very, very, very much.
Rev. Jackson: You and I were watching, you know you and I were talking last week on the phone and – and there was this rhythm of the trial, which we will not get into at all today, but then they shifted from the focus of the trial to say you are broke. And last week, people are calling in, all around the nation saying, “Is Michael broke”? Michael, are you broke???
Michael: That’s not true at all. It’s one of their many schemes to embarrass me and to just drag me through mud. And it’s the same pattern, like I told you before with these other people in the past. Same pattern. Don’t believe, you know, this is tabloid, sensationalized kind of gossip.
Rev. Jackson: Well, how did the money issue get in it in the first place? Some people called and they thought it was about the Sony catalog. What’s- what’s in that catalog?
Michael: In my Sony Catalog, is all the Beatles music, ahem, all of the music I own – I own Sly and the Family Stone, I-I own such a volume of so many, I own Elvis – so many Elvis songs and it’s a huge catalog, very valuable, it’s worth a lot of money. And there is a big fight going on right now, as we speak about that. Now, I can’t say whether or not – I can’t comment on it, but there’s a lot of conspiracy, I’ll say that – conspiracy going on as we speak.
Rev. Jackson: It was suggested by a number of your friends and family members was that this fight was really more about this catalog issue than it is any thing else. Do you believe that?
Michael: Well, you know, I don’t want to comment. I don’t want to make a comment, Jessie ah—it’s a real delicate issue and uh, I’ll let you, I’ll let you make the comment on that one.
Rev. Jackson: Let me shift this to this extent. Ahem, since so many people are listening and there have been so many opinions – I was in London a couple of weeks ago, and 24/7 was Michael Jackson all-day-long and all-night-long and the day that you came to the hospital late [to court], you said you were injured. What happened that day?
Michael: I was coming, er, out of the shower and I-I-I fell. And all my body weight, and I’m pretty fragile, all my body weight fell against my rib cage. And I pretty much, er, er, I bruised my lung very badly. My lung is on the right, it’s very [sp], it’s, I’m in pain as we speak and ah, I’ve been going to court everyday in immense pain and agonizing pain. And I sit there – and I’m strong, I try to be as strong as I can. So I can, ahh, but what we are looking for is the coughing of blood now. The doctor said I should – he said it’s still very dangerous as we speak, and if I cough the blood, he said it’s a very dangerous thing, so we’re, we’re still watching it very closely.
Rev. Jackson: The cynics said you were faking. And it seems that the judge is [sic] will not even willing to believe you, even though you had just left the hospital.
Michael: You know the – there’s no faking with this at all. I mean there was a scan done and you could see, uhhh, the swelling on my whole rib cage, I mean, uh, it was you could see it and it’s bright red. And how it, it [the fall] busted my chin, and it put a huge gash over my forehead, blood, it was er, it was very bad actually. And er, but errr, we’ve treating it actually, I do have some medicine for it, but we are watching it very closely.
Rev. Jackson: As I listen to your talking about this whole ordeal that you are going through, and how you’ve er, stood strong sometimes amazingly so, ah, at some point last week, you – you cried. What-what touched you? What made you, breakdown, as it were?
Michael: You mean at court?
Rev. Jackson: Yeah.
Michael: I was in pain. I was sitting there hurting. And er, the pain was so immense, all I could do was to sit there and cry. See, because it er, it was so intense at that moment, ah, ahem, I just couldn’t handle it. So I just grab tissues and just put it to my face… and…
Rev. Jackson: So, it was more about your personal pain, than the, than the challenges of the, from the stand?
Michael: No, it had nothing to do with what was going on inside. It was totally with personal pain, physical pain.
Rev. Jackson: Michael, since so many people are listening, I’m trying to gleam from some of our calls on the phone today and from last week, as people listen to you, what do you want people to know? Those listening to you on the phone – I see calls from Philadelphia, and from Holland and from Britian and New York and Mississippi and Florida, California – what do you want people to know?
Michael: About?
Rev. Jackson: About you. About where you are now in the head, how you are feeling?
Michael: Well, ahem, pretty much to-to be strong for me, to pray for my children and my family and myself. This is uh…uh very difficult time and to not believe what they hear, and see and read and just because it’s in print does not make it… just because it’s in print does not make it the gospel. And uh… you know, because they have sensationalized this thing to an immense degree. It’s a feeding frenzy – it’s because of uh, my celebrity. The bigger the celebrity, the bigger the target. And they have to remember that. So they’ve turned this into money – it’s like who gets the biggest ratings, you know, it’s terrible what’s happened with it. But it’s part of what I have to suffer [through] as a celebrity. It’s part-part of what I have to go through. And to just uh, just know in the end that I will be vindicated, I pray, because I know the truth. I’m an innocent person. And I believe in God and love God. And just continue to pray for us.
Rev. Jackson: You know that, given your faith, in God and in yourself, and your declaration of innocence and while you are going through this storm ahem, presuming that you ah – win this, this has been a close battle, ahhh, a very intense battle, because the battle is-is not over, ah, the, appearance, given your relationship ahh, has called for lots of consternation. Is there anything that you will do differently? When this season is over?
Michael: Is there anything that I would do differently?
Rev. Jackson: Differently? When this season is over?
Michael: (Clears throat) Ahem, my level of trust will change. And ah, there-there there’s a lot of conspiracy going on. I’ll say that much. A lot of it.
Rev. Jackson: Do you think that….
Michael: All around me.
Rev. Jackson: Is the conspiracy connected to the celebrity or to the trial or to the catalog – what do you think the source of it is?
Michael: I-I can’t comment. I can’t comment Jessie, I-I don’t wanna… it ah, I’m under a gag order and it’s a very serious thing. I don’t want to say the wrong thing. With the wrong flavor. It’s a very delicate area. Very delicate where we are now.
Rev. Jackson: Good. Good. Let me ask you this question though, that for those who are praying fervently, want to help and look forward to seeing Michael Jackson again. What can people expect next from you?
Michael: Well, like-like I always say, I’m-I’m a person of the arts. I love the arts very, very, very much. And ah, I’m a musician, I’m a director, I’m a writer, I’m a composer, I’m a producer, and I love the medium. I love film very, very much. I think it’s the most expressive of all of the art mediums. The sculptor can sculpt, the painter can paint, but they capture a moment, ah, they freeze time with the moment. In film, you live the moment. You live, you have the, audiences for two hours. You have their brain, their mind – you can take them any place you want to take them. You know, and that idea is mesmerizing to me – that you can have the power to do people, to move people to change their lives and that’s where you to marry the music [and the] individual together. And that’s what excites me so much about film and the future. Because I love motion pictures very, very much.
Rev. Jackson: Given, ah, the, heat that is on you and the taxing issue that you are facing now, does it deter you from pursuing your career when this is over?
Michael: No! No. Not at all. Because ahem, I know who I am (clears throat) inside and outside and I know what I want to do. And I will always – er – you know, go with my dreams and my ideals in life. And I’m a very courageous person and I believe in perseverance, determination, and-and, you know, and all those wonderful things, and those ideals are very important for a person who is goal-orientated, you know?
Rev. Jackson: Since people have-have risen so high and so far with your dreams, what are, what are you dreaming of now?
Michael: Oh ahem (clears throat), like I was saying before, ahem, it’s to innovate, to tie in the medium of-of film, and there’s other things I want to do, which are some surprises. Ah, things in society that I want to do in the future. You know, in Africa. I have some great plans, ah, that I’ve been preparing to do there. I’d had several meetings with people whose flown out to see me since I’ve been going through what I’ve been going through and so my heart is set on doing some things there, very much so as well.
Rev. Jackson: You ah, your next project. Because often when people at a stage like this is kind of frozen, but you’re thinking about the next project. What do you see as the next immediate project? What’s hitting you right now?
Michael: Probably, ahemmm… the tsunami song that we want to do to raise money for tsunami because Africa was ummm, was it Madagascar? One of those countries…
Rev. Jackson: Indeed. Madagascar…
Michael: Somalia and Madagascar was hit very hard, and they never…talk about that, the way they talk about the other countries. Now, we have, I mean, uh, my heart is going out for everybody, but at least, when they distribute the truth, distribute it right and ahem, it – they never talk about the devastation down in Africa, so we ~~ I wanna do something for that. And of course, I’ve been working on doing, planning a resort that I’m building down in Africa. Ah, beautiful hotels, ah, just a beautiful setting for people and families and something beautiful down there. There a lot of beautiful places down there. So I want to do something that is more international. You know?
Rev. Jackson: Well, you know, it’s interesting about the tsunami with this huge national - natural disaster uh, couldn’t be stopped, maybe if we had early detection devices, we could have saved some lives perhaps, but it was a natural disaster, but what you raised is that while that we’ve lost 200,000 lives in the tsunami, we’ve lost 2 million in the Sudan and that’s a manmade disaster and oil and materials all caught up in that stuff, and then 4 million in the Congo. And ah, and I think as we talk about it, you know you and I talk almost everyday, you are reaching out to these African crisis – appears to have er, taken up a large part of your dream at this stage in your life.
Michael: Yes it has. Because Jessie, in my heart, deepest of heart, I really love Africa and I love the people of Africa. That’s why, whenever I get the chance, the children and I, we jump on the plane and fly to Africa and we vacation there. I spend more of my vacation in Africa than in any other country. And ah, we love the people and we love the environment. Topographically, one of the most beautiful places on the surface of the Earth. They never show the sandy white sugar beaches, and it’s there! And they never show the beautiful, you know the landscaping, never show the buildings, the metropolis and urban – Johannesburg, Cape Town, Kenya, ur, you know the Ivory Coast ur, you know, Rwanda, how beautiful the place is! And it’s really stunningly beautiful! And I want to heighten that awareness with what I’m doing and it’s been my dream for many, many years. And everybody around me knows that, because I go there very much.
Rev. Jackson: You know, we knew about the high points of Rome, because we see it on film.
Michael: That’s right.
Rev. Jackson: We know about the high points of Britain and the palace, we see it on film. On Paris, we don’t see much of Africa on film. We see Africa as misery and Africa as problems. We do not see it as being this phenomenally endowed continent of sand and sea and
Michael: Because the…
Rev. Jackson: oil and resources…
Michael: Because, yeah. The world is jealous of Africa for many centuries because it’s natural resources is phenomenal. It really is. And it is the dawn of civilization. The history, a lot of our bible history is right there in Africa. And King Tut, all those great civilizations – that is right there in Africa. Egypt is in Africa!!! And they always try to separate the two, but Egypt is Africa!!!
Rev. Jackson: Well, it’s certainly true that when Jesus was threatened, ah, with death, when Harod sent out the edict for [the] genocide of all of the first born babies, that Joseph took him to Egypt, to Africa, kept him there for 12 years.
Michael: That’s right. That’s right.
Rev. Jackson: You’ve shown an amazing level of depth and commitment. Let me say this and in closing Michael, because people are listening and the reason I didn’t want to open up the lines today is because you have, you’re sharing stuff with us that you never quite really hear, but as people go and watch the trial next week and the coming days, what do you want your fans… we have callers on here right now from London, Holland and all around America, so people out there are listening today to you. What do you want to say to your fans and even to your detractors today?
Michael: I just wanna say: fans in every corner of the Earth, every nationality, every race, every language, I love you from the bottom of my heart. You know, thank you for your love and support and understanding during this trying time. I would love your prayers, and your goodwill. Ah, and ah, please be patient and be with me and believe in me because I am completely, completely innocent. But please know a lot of conspiracy is going on at this time as we speak.
Rev. Jackson: Well, it’s Easter time, ah, we fall down, we get back up again. The good news is that nothing is too hard for God. And those who believe, fervently believe, no matter how far down that they reach for a rope and not a shovel. They’d be pulled up and they will rise again. Michael, thank you for sharing yourself with the nation today, and the world and for getting up so early in California …
Michael: God bless you.
Rev. Jackson: God bless you and keep hope alive. Talk to you a minute off the air, okay?
Michael: Bye-bye.
Rev. Jackson: Alright.
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Michael Jackson
31/03/2005 21:03
"King of Pop" Michael Jackson Grants Exclusive Interview to the Reverend Jesse Jackson
Created: Saturday, 26 March 2005
Interview to Be Broadcast Live on Easter Sunday Starting at 8 a.m. Eastern
Jesse JacksonCHICAGO - On Easter Sunday, the Reverend Jesse L. Jackson, Sr., will conduct a live interview with the "King of Pop" Michael Jackson on "Keep Hope Alive(TM) with Reverend Jesse Jackson", the nationally syndicated radio talk show originating from Chicago's WGRB-AM 1390.
This compelling conversation -- beginning at 8 a.m. eastern -- will be heard on the 28 radio affiliates carrying the weekly talk show (see list below) and will be Webcast at www.KeepHopeAliveRadio.com.
The Rev. Jackson will discuss Michael Jackson's journey from "Gary to Greatness" and grant the "King of Pop" the opportunity to share the story of his life -- as only he can tell it.
Radio stations broadcasting "Keep Hope Alive(TM) with Reverend Jesse Jackson" include:
WGRB-AM 1390, Chicago WAVZ-AM 1300, New Haven, CT
WWPR-FM 105.1, New York WCKY-AM 1530, Cincinnati
WDAS-FM 105.3, Philadelphia WTPG-AM 1230, Columbus, OH
KMEL-FM 106.1, San Francisco KSJL-AM 810, San Antonio, TX
WWRC-AM 1260, Washington DC WKUS-FM 105.3, Nofolk-Va. Beach-Newport
News
WMXD-FM 92.3, Detroit KRMP-AM 1140, Oklahoma City
WXDX-AM 1310, Detroit KGTO-AM 1050, Tulsa
KPRC-AM 950, Houston-Galveston WOWE-FM 98.9, Flint, MI
WBTP-FM 95.7, Tampa-St. WPHR-FM 106.9, Syracuse, NY
Petersburg-Clearwater
WINZ-AM 940, Miami-Ft. WXXM-FM 92.1, Madison, WI
Lauderdale-Hollywood
KKZN-AM 760, Denver-Boulder WJNI-FM 106.3, Charleston, SC
KATZ-AM 1600, St. Louis KKRX-AM 1050, Lawton, OK
KPOJ-AM 620, Portland, OR WJIZ-FM 96.3, Albany, GA
KLSD-AM 1360, San Diego WWVA-AM 1170, Wheeling WV.
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Michael Jackson
31/03/2005 20:59
Day 19: Possible Fingerprint Evidence Tampering and Degrading, Reliability Questioned
Created: Saturday, 26 March 2005
THURSDAY, MARCH 24, 2005
Michael Jackson and Mrs JacksonDay 19 was dominated by testimony regarding the fingerprint analysis in the Michael Jackson trial. Jurors heard Thursday that authorities did not do fingerprint analysis on adult magazines from the singer's home until many, many months after they were seized.
Defense Attorney Robert Sanger used cross-examination of the prosecution's forensic experts to try to undermine the reliability of fingerprint evidence that is expected to be shown to the jury, suggesting it could degrade over time.
One magazine allegedly has a single fingerprint from Mr. Jackson's accuser and one print from Mr. Jackson. The defense explained that the accuser handled the magazine during grand jury hearings before it was subjected to fingerprint analysis.
Witness Antonio Cantu, chief of forensics for the Secret Service, said he was not aware of the delay in the fingerprint tests and acknowledged it would have been preferable for the tests to have been done immediately.
Cantu did not test evidence in the Mr. Jackson case but was put on the stand by the prosecution to give jurors technical information about how fingerprints are analyzed by various methods.
Mr. Sanger asked Cantu if he would expect analysis to be done after the material had been presented to a grand jury.
"You would expect to do that analysis first," Cantu said.
"Were you aware that the fingerprint analysis in this case was not done until a year after the evidence was seized?" asked the attorney.
"I was not aware of that," said Cantu.
Santa Barbara County Deputy District Attorney Gordon Auchincloss sought to show that it wouldn't make much difference when the material was analyzed as long as it was properly bagged and preserved.
But the witness said that chemically, the residue from fingerprints can change over time.
Mr. Sanger raised the issue of evidence degradation and Cantu said it was possible that fingerprints could degrade.
Sheriff's technician Lisa Hemman, called by the prosecution to discuss methods of examining evidence from Neverland, offered an explanation of why fingerprint analysis was not done immediately.
"We wanted to preserve DNA evidence. Processing for fingerprints could destroy DNA. So you do the testing for DNA before you do the fingerprint testing," she said.
Michael JacksonAn attorney for Mr. Jackson grilled Hemman and three other fingerprint specialists about potential problems with the field. He noted that an Oregon lawyer was arrested as a suspect in the Madrid train bombings on the strength of a fingerprint match, only to be exonerated later when the print was shown to be a "false positive."
"So, fingerprint identification is really subjective?" lawyer Robert Mr. Sanger asked.
"Yes," Hemman said.
She later acknowledged that she and another examiner were at odds over whether a print was Mr. Jackson's and that they had changed their opinion on the brother's print from an initial finding of "inconclusive."
The jury has already heard that no DNA from the boy or his family was found.
"I think the prosecution has yet to show that this mountain of (adult material) they produced was shown to the accuser by Michael Jackson," said legal analyst Jim Moret outside the courtroom in the California town of Santa Maria.
"There has to be a connection between these materials and Michael Jackson and his accuser" in order for the prosecution argument to stand, he added.
Mr. Sanger stressed that all the raunchy literature found in Mr. Jackson's bedroom was legal in the United States, and suggested that police were overzealous in seizing the items.
But prosecutors pointed out it was illegal to show such material to children. Mr. Jackson has not been charged with showing adult materials to a minor.
Jurors who had earlier paid close attention and took copious notes during the explosive testimony offered in the first three weeks of Mr. Jackson's trial often appeared bored by the details and specialized testimony.
One alternate juror fell asleep as others fidgeted through the expert testimony.
"That is a problem for both the prosecution and the defense," Moret said, adding that "you don't want to lose jurors."
In past days jurors have been shown on a large overhead screen dozens of adult magazines and pictures, none of which involved pedophilia.
Actor George Lopez will take the stand next week, prosecutors said Thursday.
The comedian and star of the ABC sitcom "The George Lopez Show" is expected in the witness box at Mr. Jackson's child molestation trial Monday to testify about his dealings with the accuser, prosecutor Ronald Zonen told Judge Rodney Melville.
Lopez was among several celebrities, including Mr. Jackson, actor Chris Tucker and comedians Adam Sandler and Jay Leno, whom the boy met or sought to meet while he was being treated for cancer in 2000.
Mr. Jackson's defense has been demonstrating that the accuser and his family are a pack of grifters who used the boy's cancer to scam money from the rich and famous. His lawyers have highlighted Lopez in particular, eliciting testimony from several witnesses about an incident where the comedian apparently believed the family was trying to hustle him.
As Mr. Jackson walked toward his waiting vehicle at the end of the day, he greeted the waiting fans and reporters, "I'd like to say hello to the people of Santa Maria, my friends." When questioned about his health, he replied, "Still in a lot of pain."
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